The Rise Of Punk Rock Design – Vivienne Westwood Mens Clothing

Vivienne Westwood is a very memorable character in English fashion in the present day. Her earliest tremendous impact on the story of United Kingdom fashion must have been the fact she most likely was, essentially, the actual the designer of the Punk fashion. Certainly, 1t had been her which polished the last ‘bad about the ends’ styles and also directed it towards that which you of course refer to as Punk and / or Punk Rock style. When Vivienne Westwood’s transformation of Punk Rock attire, she used to be in with Malcolm McLaren and it had been together with him which they modified the fashions. It was 1970’s Great Britain, even as it had not been as illiberal as the preceding part of that hundred years, the Sixties failed to have enough impression over the liberalness of the general public in particular considering that it did in the US. The favourite music band belonging to the Sixties had been The Beatles, a tight-knit band of mates which unfortunately donned their particular instruments really high and maintained a fresh and clean track record. Whilst this eventually would change in the future, around the closing stages of their own career, they’d an exceptional clean look and feel one which in turn their admirers were being particularly proud about and also tried to copy.

Whilst The United Kingdom quite possibly wasn’t ready for her , Vivienne Westwood unleashed her clothing upon them anyway. She took leather, metal, dark colors, short cuts and an unrelenting rebellious frame of mind and mixed them together, synergising their individual personalities and claiming the results. The results, of course, were as Punk. Britain was a land filled with guys with bowl cuts, tan suits, chino “slack” pants and a prim’n’proper attitude to everyday life. The Punk style, and therefore the Vivienne Westwood mens clothing of the time, is the polar opposite of Britain of the 60s. It features large amounts of tartan, studs, chains, rips and a generous amount of leather. A Punk may like to decorate himself in tattoos, wrap themselves in metal chains and pierce themselves in various places with large jewelry. They are probably also likely to sport a radical hairstyle; a woman may completely shave her head while a man might shave all but a streak down the middle of his head which he would then style into large spikes and dye it a bright colour. This was the manifestation of people on the edge, the punk movement reached out to those that were fed up of their non-representation and repressive society, a society which did not respect or, in some cases, even acknowledge the individual.

Without even trying, Vivienne Westwood mens clothing completely changed society and gave her a lasting impact on British fashion. However, Westwood was only just getting started. She went on to redefine British fashion almost every couple of years, all throughout the 70s, 1980s and 90s. If a trend come along that she wasn’t directly responsible for, you can be sure that she was indirectly involved at some point. It’s fair to Say that practically every designer over the past 30 years have been influenced in some way by Vivieene Westwood clothing.

Westwood has been awarded several awards over the time of her career. She has won ‘British Designer of the Year’ 2 years in a row, in 1990 and 1991. She was awarded an OBE, which was later advanced in 2006 when she was honoured with the title ‘Dame Commander of the Order of the British Empire’, one of the highest awards a British Citizen can be given from the Monarch.

Vivienne Westwood mens clothing, to this day, is about pushing the limits in style and luxury. Whilst her style is not ‘punk’, she really does continue to exist the edge wherever her styles are involved. She releases a perfect variety of matches as well as other distinguished attire, and her three-piece suits invariably become unattainable after only one month of launch. Vivienne Westwood clothing is certainly perfect for the person that prefers vintage and ageless elegance from their clothes.